![]() His ultimate goal, Matisse once said, was to create "an art of balance, of purity and serenity,ĭevoid of troubling or depressing subject matter, an art which could be for every menial worker, for the businessman as well as the man of letters, for example, a soothing, calming influence on the mind, something like a goodĪrmchair which provides relaxation from physical fatigue. ![]() Left arm of one figure parallels the right leg of her companion and the hairstyles and facial features of both women are similar. He succeeded in this through several means: aĭiagonal line begins with the legs of the figure on the left and continues up through the guitar, in which the colors of the left-hand woman's dress and legs are repeated the right arms of both figures are in the same pose the Matisse's primary challenge here was uniting the two figures in a compositionally harmonious way. In the composition of La Musique, various shapes are repeated throughout, horizontal and vertical linesĪnchor the diagonals and the curves, and the placement of colors is perfectly balanced. All elements had to be placed with great care. When in reality, the unity and rhythm he achieved were far from easy. Henri Matisse viewed composition as, "the art of arranging in a decorative manner the various elements at a painter's disposal for the expression of his feelings." One of his goals was to create paintings that appeared effortless, ![]() Like in The Dance, the aim was to show man'sĪttainment of a state of completeness by immersion in creativity. One can virtually trace the steps Matisse took to find the intended effect. Preparatory sketches, and thus the painting bears many traces of modifications. Ilustratie Henri Matisse - Blue Lady door Finlay & Noa 45 × 60 cm, 16,99 67.5 × 90 cm, 26,49 75 × 100 cm, 29,99 90 × 120 cm, 39,49 Eigen formaat. There is no definite outline on some of the. Although there is not a single straight line, the way the colors juxtapose each other there is no need for a straight line. Title: Espagnole: Harmonie en bleu (Spanish Woman: Harmony in Blue) Artist: Henri Matisse (French, Le Cateau-Cambrésis 18691954 Nice) Date: 1923. Please note that is a private website, unaffiliated with Henri Matisse or his representatives. The Woman in a Purple Coat, 1937 is a superb example of the use of color and light to express his emotions in life, not towards his model like some artists, but to life itself. The painting was commissioned by Sergei Shchukin, who hung it with Dance on the staircase of his Moscow mansion. Lady in Blue, 1938 The Music (La Musique), 1939 Portrait of Lydia Delectorskaya, 1947 Sorrow of the King, 1952 Nu bleu IV, 1952 The Snail, 1953 The Sheaf, 1953. Find more prominent pieces of portrait at. The Music (La Musique) is a painting made by Henri Matisse in 1910. Woman in Blue, or The Large Blue Robe and Mimosas was created in 1937 by Henri Matisse in Expressionism style. Woman with a Hat (Femme au chapeau), 1905.Painting matches the absence of nuance in the yellow, red, blue, black and white colouring. ![]() Drawings have been hung on the red rear wall, as if to underline the significance of that medium for this painting. Nor does the flat arrangement permit any spatial sense. His vibrant paper cut-outs, currently on display at the Tate. Typically recognised as a rival of Picasso, a Fauvist French oil painter and draughtsman, Henri Matisse began to ‘paint with scissors’ in the later stages of his career. We cannot tell if the black area with criss-cross pattern is theįloor or a part of the seat. This is an original 1969 color lithograph of a paper cutout painted by Henri Matisse in 1952 and titled Blue Nude. Fauvism Renewed: Matisse’s Creative Affair with Paper Cut-Outs. The woman in the long blue dress with white frills is sitting on an armchair or sofa with curlicued arm-rests like swans' necks. These lines define the flat, expansiveįorms but confer no relief or depth. The draughtsmanship of Lady in Blue is of an extreme precision: the fine white lines have been scratched out of the paint, the dark lines drawn with a fine brush or similar implement. Go well with my spontaneity - I relish knocking off some vast work in the space of a minute." The new conventions of applying large zones of paint to express myself - nothing but localized colours with neither shadow nor relief, that are supposed to suggest light and spiritual space through their interactions. ![]() He wrote to fellow-artist Pierre Bonnard: "My drawing is what I need, since it expresses what is distinctive in my own feeling. In Lady in Blue, Matisse missed the balance he had achieved. ![]()
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